Nigel Ewan

Nigel Ewan enjoys life.

I’ve been out of school for just over a week now—and I’m proud to say I’ve been busy with my time this past week. Some background information: last year at this time, I’d only made about five shirts and my production skills were severely lacking. So all last summer, I made one shirt every week (and I wrote about it online), in an effort to improve both my technical skill and the accuracy of my patterns. I think I did both! This past saturday was my first time making a shirt since last august. Surprisingly, I was able to work much faster than I had last summer. And construction is easier! Practice makes perfect. I made three shirts this week:

The first shirt is a tangerine chambray. (I made a very similar shirt exactly a year ago… I love this sort of fabric.) I used my pattern from june 2011, which is slightly loose-fitting. I wanted to make a 1940s-style shirt: blousy, with a spearpoint collar and loose-fitting sleeves. I think I overdid the spearpoint thing—the collar points are 4.5″ long! This is the kind of collar that will look great with a tie and a collar pin, but it’s just too big by itself. In another attempt to give this shirt a golden-era feel, I gathered the sleeves into the cuffs instead of using pleats as is usually done. The gathers mean the sleeve’s fullness is evenly-distributed around the cuff, instead of being all lumped near the sleeve placket. It’s a subtle effect but it’s pretty neat-looking. I will probably continue to use this technique.

The second shirt is an awesome feather print from Sew to Speak. The fabric isn’t really designed for garment use, so it feels a little stiff. I’m hoping it will soften up after launderings. I loved this fabric as soon as I saw it, and I’d been hoping to make a shirt out of it for months now. This is the first short-sleeved shirt I’ve ever made; I figured the wild fabric would work better in short-sleeved form. In the end, I think making this short-sleeved just makes it look like a Hawaiian shirt (which was not my intention). I’ve just got to be very careful to keep it tucked in. Regardless, I’m happy with it. I still love the print. And the sleeves are hemmed with 3″ of extra fabric so I can roll up the sleeves without the wrong side showing. It’s fun.

The third shirt was cut from my july 2011 pattern, which is slimmer. The fabric is a wild, lightweight cotton twill I bought at Jo-Ann Fabrics last fall. It looks really cool close-up, but unfortunately, from far away, it looks a lot like puke. I’d originally planned to make this shirt with french cuffs and a detachable collar band. But then I realized that I really don’t like wearing french cuffs, so I didn’t make them. In hindsight, I’m glad, because big, showy cuffs would have only made this shirt even sketchier. It fits correctly, at least!

I’m not going to set a weekly goal for myself like I did last summer. I’m quite happy with my skills and I’m looking forward to trying some new techniques. For the near future, I’m going to take a break from shirts altogether and work on my coatmaking skills. Stay tuned, tumblr!

Sartorial truth.

Sartorial truth.

(Source: maudit)

The semester is finished, so it’s time for Nigel and his teachers, spring 2012 edition! (some teachers not pictured).

What I did this week (10 may 2012)

  • Had a little end-of-semester portfolio review/meeting with Boryana. Conclusion: I am good at value and bad with line. And Boryana is spectacular.
  • Ate lunch in the cafeteria for the last time! I had one of those gross cheese quesadillas just for nostalgia’s sake.
  • Turned in my final interactive pdf for Worst class of the week. And then I was done with the worst class of the week forever.
  • Didn’t have any American lit class all week. Instead, I just spent time working on my final project.
  • Turned in my 19th century art history final (two essays) and spent the rest of my tuesday lunch break studying History of fashion notes with Amanda.
  • Had a glorious team class pizza party with M-Tabs. She brought Granville-made pizza, soda, and circus peanuts. We watched the movie Jumanji. We gave her a framed photo and she loved it. It was altogether one of the best things ever.
  • Went to History of fashion class and took a final exam. Our teacher brought us scones from Panera.
  • Went into my Illustration class at 12:30pm and picked up my work and said my goodbyes.
  • Had a very late wednesday lunch with Amanda, Jason, and Michelle at the Brown Bag Deli. I had a delicious sandwich with braunschweiger.
  • Went out to lunch on thursday with my 19th century art history teacher and her husband and some other class friends. We went to El Arepazol on Pearl Alley and had a lovely time. Dana drove all of us and I rode in the cargo area in the back of her Acura.
  • Showed up for Mr. Burleigh’s class, which actually consisted of milling around on the third floor of Crane to look at the walls and say goodbye to everyone. Mr. Burleigh was wearing a tool belt.
  • Walked with Colleen several blocks to the bank so she could pay me for our board game. It was a very nice sort of postmortem. And then we were done.

St. Vincent at the Newport (8 may 2012)

Last night Ian and I went to see St. Vincent at the Newport. I hadn’t bought tickets ahead of time, which is really unusual, and I was a little worried that we’d have trouble managing. But everything went very smoothly: Ian drove and parked in an extremely convenient spot; we walked right up to the front of the Newport and bought tickets (and, free from Ticketmaster, undoubtedly saved a bunch of money); we stood in line on High Street and had pleasant conversation and watched the local color.

I really don’t like the Newport but for some reason I also have a sort of fondness for it. Nights like last night only serve to reinforce those feelings. It was gross and uncomfortably warm in there, and the crowd was made up of a bunch of annoying young people and people who looked like they were there for weird reasons. (So different from the Lambchop crowd, oh my!) Ian and I were about two rows back right in the middle of the stage. The Newport had put barriers up so the crowd was kept about three feet away from the edge of the stage; because of these things, the stage felt pretty far away! But overall it was a good spot. More on that later.

Shearwater was the opener. I really want to like Shearwater, because I really like Okkervil River so it seems like I should like Shearwater too. But the truth is they kinda get on my nerves. As openers go, they were quite good, but they weren’t my cup of tea. Too loud and too dramatic.

They took a long time setting up the stage for St. Vincent. By the time they were done, the stage was almost completely bare except for the drum kit (which was extremely giant and awesome), two synths, and a rack of four of Annie’s guitars. Oh, and a theremin in the front of the stage. That was exciting to see. Overall, the stage was atypically clear of stuff and it was very pleasant to look at. The most striking thing about the stage layout and organization was the lighting—I’ve never seen a show with such well-planned lighting. There were four or five big LED spotlights on the back curtain of the stage pointing out into the audience, which sometimes functioned as insane strobe lights. Sometimes just the center spotlight was turned on, and because it was pointing straight out into the audience, all we could see was Annie’s silhouette. There were also little spots at the front of the stage pointing up at Annie; whenever these were on, it made the stage feel very intimate and cozy. Using all these things in concert with the normal stage spotlights, the show had some really cool lighting effects. I am constantly amazed by the power that lighting can have over the emotional tenor of a performance.

St. Vincent at the Newport

The first song of the set was “Marrow”, which I thought was an unusual choice. From what I gather, the rest of the setlist was typical of this tour: there was a bunch of stuff from Actor and about half of Strange Mercy. During “Actor Out of Work” and “Surgeon” the strobes were on in full effect and I felt like I was going to puke or jump out of my body or something. During “Champagne Year”, the cozy fireplace-lights were turned on. Man, it was a cool show. Annie used the theremin during the instrumental break on “Northern Lights”, which was awesome.

And then there was the crowd-surfing, which I had completely forgotten to be expecting. The show was going on its merry way, and suddenly Annie has laid her guitar down and is swinging the mic around on its cord and she is climbing down the. The Newport’s security men kinda lifted her up over the little barrier, which she balanced on for a second before almost falling backwards and getting caught by the security men. Then she just dived into the crowd. All of this happened just exactly in front of where we were standing, which was super fun. She surfed all around on the crowd, but mostly stayed around near the front where we were. It was thoroughly terrifying and exhilarating. After all, Annie seems so petite and fragile. I’d like to think I helped keep her from falling once or twice—I suppose this is all the fun of crowd-surfing. Oh man, it was wild. And perfect. Nothing out of the ordinary for a St. Vincent show, but a very unique and special experience for me.

For the encore, the band played “Your Lips Are Red”—the only song from Marry Me in the whole show. It was a perfect ending to a spectacular show. Come back soon, Annie.

I made these two posters as a final project for my American lit class. They are posters celebrating the imaginary re-publication of two of Flannery O’Connor’s books: A Good Man is Hard to Find, and Other Stories and The Violent Bear it Away. I chose to make these instead of writing a final paper because I’m sick of writing; unexpectedly, I’m pretty happy with the way these turned out. I was going to do a third poster for O’Connor’s first novel Wise Blood but I ran out of time. Maybe I’ll come back to this project later!

Thao & Mirah performing “Little Cup” at KEXP.

I didn’t listen to the Thao & Mirah album when it came out last year, but I am now. And it is very nice.

What I did this week (3 may 2012)

  • Had the third and final crit of my figure drawing class with Boryana. I turned in three pieces that I’m pretty proud of. We drank apple juice and ate cookies and had a good time.
  • Went up to the fourth floor of AMF to visit Jason Clary (my freshman painting teacher), who was just as kind and wonderful as ever.
  • Had an off-site friendship lunch at The Warehouse Café, which is a cute little lunch place within walking distance from campus.
  • Went to visit my friend Carolyn in her millinery class and got to meet the teacher. I’m hoping this will pay dividends for me later!
  • Put the finishing touches on our board game; Met with my Kelsey and John for a last-minute team meeting.
  • Finished watching Vertigo in my American lit class on tuesday morning. And then I was done…
  • Had the last lecture of my 19th century art history class, which basically consisted of a ton of Rodin’s sculptures. It is sad to see it come to an end.
  • Had our game-playing day in team class! M-Tabs brought in candy for us to eat, and we played board games and filled out little questionnaires. Tons of fun.
  • Watched student presentations in my History of fashion class. Worked on my new fair isle sweater the whole time. It was quite a nice time.
  • Did the usual thing in Illustration class, except this week our teacher brought in chocolate-chip-cookie bars and chips and salsa for us to eat! I didn’t really do illustration work in class; instead, I agonized over my finals for Burleigh.
  • Spent all wednesday night doing more work on finals for Burleigh, despite the fact that they were due less than 24 hours later. This is not something I typically do, and it stressed me out a lot.
  • Had a very cursory “private meeting” with my American lit teacher regarding my final project, which I have yet to begin and which is due next thursday.
  • Printed, mounted, and wrapped my finals for Burleigh during my lunch break on thursday morning. I did all of this in the little couch area in Kinney where literally every other person at CCAD also had to print at the last minute.
  • Ran into my 19th-century teacher and Ian and Dorian on the quad and hung out with them for a while, which was really fun.
  • Had one last knit-n-crit with Burleigh. Finals turned out okay after all.
  • Took a bunch of photos with teachers, which I will definitely share later!

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Owner & proprietor

Nigel Ewan is a creator and aesthete from Columbus, Ohio. He makes things with his hands and with the computer, drinks tea obsessively, and values solitude.

This website will have more things on it in the future. I am sorry I am both lazy and busy.

Follow @nigel for the lawls.

Copyright, etc. 2012.